Meet: Cole Matson
COLE MATSON is an actor, producer, and president of the Catholic Artist Connection. (www.colematson.com)
CATHOLIC ARTIST CONNECTION (CAC): What brought you to NYC, and where did you come from?
COLE MATSON (CM): I was born in Houston, TX, and spent the second half of my childhood in southeastern Virginia. I first came to NYC to study acting as an undergraduate at NYU (Playwrights Horizons Theater School at Tisch School of the Arts). I then moved to Baltimore after college and worked part-time for the Baltimore Theatre Alliance while acting in theater and film. After a few years, I went to the UK to study theology, ending up doing a PhD in Divinity with a focus on theology and theatre through the University of St Andrews’ Institute for Theology, Imagination & the Arts. After finishing my PhD, I came back to NYC in 2015 with a call to serve artists. During a road trip in 2011, I had met a large number of young Catholic artists in NYC who were interested in working together to build community. After a very direct call from one of them, my friend (and Catholic Artist Connection co-founder) Emily C.A. Snyder, I came to NYC to help do just that!
CAC: How do understand your vocation as a Catholic artist? Do you call yourself a Catholic artist?
CM: I do call myself a Catholic artist, as well as a Catholic Christian who is an artist. I see the role of the Catholic artist as sharing an experience of Christ with others, through the incarnate form of an artistic medium. Christ can be more or less explicitly discernible depending upon the nature of the particular art piece, but our entire lives and beings as Christians are founded upon Christ, so Christ will be active in everything we do through the power of His Holy Spirit. C.S. Lewis and J.R.R. Tolkien’s visions of the role of a Christian artist are my models. My personal mission has become less about creating my own art (though there is a certain itch I need to scratch, and some stories I’m struggling to birth) and more about helping create an environment of support that allows other artists to birth their own stories more easily.
CAC: Where have you found support in the Church for your vocation as an artist?
CM: Primarily through the larger-than-one-would-think community of fellow Catholics and Christians who are unafraid to proclaim their faith as well as their artistic vocation, and are excited to support each other in their vocations. There are also places like the Actors’ Chapel in NYC and Family Theater Productions in LA, which are missioned specifically to provide a place of worship for performing artists. The idea of having a parish church dedicated specifically to that nomadic community, and especially having a “post-theatre” Mass at a time convenient to performing artists, is an extraordinary one, and I’m very grateful that it exists in NYC. I’ve had religious and lay Catholics tell me that I should sacrifice everything to pray at the “right” hours (e.g., morning prayer at dawn, Mass on Sunday morning), and even get up at 4 a.m. to pray for several hours before sunrise if I really want to grow in my spiritual life. When I responded that going to bed at 8 p.m. in order to get up at 4 a.m. eliminated the possibility of working in the theatre, I was told that, well, maybe that was a sacrifice I needed to make if I was really serious about serving God. This idea that the late-night and peripatetic schedule of the performing artist is mutually exclusive from the “serious” service of God is still alive in some places; giving artists support in their vocation by giving them a particular church and offering Mass at a time they can easily attend is a valuable counter-witness to this lack of understanding.
CAC: Where have you found support among your fellow artists for your Catholic faith?
CM: Oh, man - again, the Catholic artist community of NYC. I also appreciate conversations with artists of other faiths who also experience difficulties in the arts due to their faith. (My Jewish brothers and sisters have been particularly supportive in this regard.) I’ve had plenty of artists (and, unfortunately, teachers) who were actively hostile to my faith, and the work that comes out of it. (For example, when my undergraduate playwriting teacher learned that my love of The Lord of the Rings was behind the fantastical work that I was exploring in class, she told me, “Fantasy is juvenile trash not worth an adult spending their time on.” Another, when he learned that I was a Christian, told me that the Church was the source of all evil in the world.) However, I’ve also experienced other, non-Christian artists (and teachers) who are interested in supporting an artist’s living out of their values, whether or not those values are rooted in a religious faith. I find that when we are open and confident about our faith and its importance to our lives as artists, especially focusing on the core of the Gospel, which is the love of God for each human person, we are more likely than not to be met with respect and support, even where there is disagreement.
CAC: How can the Church be more welcoming to artists?
CM:
1. Pay them what they’re worth.
2. Be open to and support initiatives of the laity to support art and artists.
3. Trust them. If they’re actively self-identifying as Christians while working in the arts, their faith is probably important to them - it’s too risky otherwise. Trust in their faith and love of Christ and the Church, and that the Holy Spirit is working in them. Even when the work they are creating is a little scary or strange, trust that God is working out some prophesying in them for the good of the community and the glory of His Name. It’s like speaking in tongues - look for someone who can interpret the movement of grace, rather than quashing the movement of the Spirit.
CAC: How can the artistic world be more welcoming to artists of faith?
CM: Don’t assume that because someone is a Christian they’re therefore a bigot. Also, understand that evangelization is about sharing a good gift we’ve received, so that others can share our joy - it’s not about forcing people to join our club. Most of all, encourage artists of all faiths to create work based on their faith, without assuming that that work is therefore “lesser.” I know a dancer who was not allowed to choreograph a dance about Mary for her MFA thesis because her supervisor believed that religious content destroyed “real art”. To get around this, she told her supervisor she would create a dance about a woman she knew, but she didn’t want to share too much about her story, because doing so would ruin the power of the dance. She then created her dance about Mary, which was lauded by the supervisor as extremely moving and powerful. :-)
CAC: Which parish(es) did you attend? Do you recommend any particular parishes for their sacramental life, beauty, and/or community?
CM: My parish has been St. Malachy’s - The Actors’ Chapel, which I highly recommend. (I’d like to highlight the 11pm Sat post-theatre Mass, the 11am Sun Mass with full choir, and the 6pm Sun young adult Mass.) I also recommend going to CatholicNYC.com and signing up for the Archdiocese’s Office of Young Adult Outreach email newsletter, which lists an extraordinary number of events and groups for the spiritual support of young adults. You can find other parishes which have been recommended to the Catholic Artist Connection as welcoming places for artists at catholicartistsnyc.com/communities.
CAC: Where in NYC do you regularly find artistic fulfillment?
CM: I enjoyed being a part of The Sheen Center, first as artist-in-residence and then as an employee, for 3 years. I would especially recommend attending the annual Sheen Center Theater Festival in the summer, which shares new work by Catholic playwrights. A list of Catholic theatre companies, visual arts collectives, music groups, and arts center in the greater NYC area can be found at catholicartistsnyc.com/communities. Three I would particularly highlight are Turn to Flesh Productions, which produces new work in classical styles by and about women; Storm Theatre, which produces modern and classical fully-staged productions that often have a direct link to Catholic faith (e.g., their festival of JPII’s plays); and Magis Theatre, which is a more experimental physical ensemble led by a Jesuit priest, and which performed the most “eucharistic” theatre I’ve ever seen in New York (a production of Calderón’s two versions of “Life is a Dream,” which ended with the entire cast singing “Gloria!” and the performer playing Adam revolving in worship, arms raised to Christ the Sun, on the stage of La Mama ETC, the flagship of NYC downtown experimental theatre).
CAC: How have you found or built community as a Catholic artist living in NYC?
CM: Through the Catholic Artist Connection, the Actors’ Chapel, the Sheen Center, and my residential intentional community of Catholic artist men, Our Lady of Harlem Artist House. Mostly through friendships which have been built through these trellises, as well as through one-on-one introductions. It’s all about the friendships.
CAC: What is your daily spiritual practice? And if you have a spiritual director, how did you find that person? If you go on retreats, where do you like to go?
CM: My primary practice is to pray the Divine Office and attend daily Mass as often as possible. I also do some centering prayer in the morning and the examen before bed. I see a spiritual director once a month, and go on an 8-day silent retreat once a year. I also try to take the first day of the month as a day of recollection, to be more silent than usual and go over the results of the past month and my plan for the coming month. I found my most recent spiritual director, Fr. Ray (RIP), through a Jesuit friend’s recommendation. You can find a spiritual director by going to the Catholic Artist Connection’s list at http://www.catholicartistconnection.com/spiritual-directors.html. The page also links to Charis NYC’s Spiritual Director List and the Office of Ignatian Spirituality’s Catalog of Spiritual Directors. For retreats, I generally go to Loyola Jesuit Center in Morristown, NJ. (I’ve seen beaver, deer, and kingfishers at their pond!)
CAC: What is your daily artistic practice? And what are your recommendations to other artists for practicing their craft daily?
CM: A daily artistic practice has gotten more difficult as my work has focused more and more on arts administration. I try to take the first available hour each day (after prayer) to work on whatever creative project I’m focusing on at the time, whether it’s the Catholic Artist Connection or an article I’m writing. I recommend deciding what your highest-priority creative goal is at the moment, and doing at least something each day to move yourself toward it (giving yourself a break on the Sabbath if you want it).
CAC: Describe a recent day in which you were most completely living out your vocation as an artist. What happened, and what brought you the most joy?
CM: I’ve been in a time of rest and recuperation lately, and have been reminding myself to listen to my own creative instincts and priorities. To that end, I recently went on an 8-day retreat, during which The Lord of the Rings was my spiritual reading. On one day of the retreat, I spent the morning praying and walking outdoors in the snowy mountains. In the afternoon, I read Tolkien. In the evening, I watched Selma, as a way of reminding myself why I wanted to tell stories in the first place (to inspire myself and others to heroic action and to give hope). I repeated the pattern one day after I came home from the retreat – praying, walking, reading, and watching Of Gods and Men. This time has been one of “filling up the well” so that the fields of creativity can be watered for later growth.
CAC: What resources have you found helpful in securing housing/roommates? Which neighborhoods would you recommend to artists moving to the city?
CM: My first housing situation in NYC during my most recent sojourn was as an artist-in-residence at The Sheen Center. Go to sheencenter.org/residency if you want to learn how to apply for 2-4 months of free housing at the Center while working on a specific creative project. At the end of the residency, I knew I was looking to live in community with other Catholic artists, and I had met a few other men who were looking for a similar situation. Therefore, we put our heads together to look for an apartment. I was temporarily staying with family in Kansas for a few weeks and teaching at a summer drama camp, so I used StreetEasy to find apartments which matched our size, location, and rent needs. (There were 6 of us.) Other members of the group volunteered to scout out the highest-ranking apartments. When we found one that the scouting team agreed worked for us, we jumped on it. We quickly gathered everyone’s financial documents, and secured a lease. That community is now Our Lady of Harlem Artist House. If anyone is looking for advice on setting up a similar community, just contact me!
CAC: But seriously, how did you make a living in NYC?
CM: For my first year in NYC, I worked as a staff and faculty member at CAP21 Conservatory/Molloy College. For the past two years, I’ve worked as a Programming Associate at The Sheen Center. I’ve appreciated being able to work full-time in the arts, as well as do some paid acting, speaking, and article-writing on the side. First, I recommend identifying 10 or so organizations that you would like to work with, and approaching them directly to see whether they’re hiring. In terms of job listings, I found the most success with the NYFA Classifieds, TCG’S ARTSEARCH (requires an annual membership), and Playbill. For acting submissions, I recommend annual memberships to Actors Access/Showfax and Backstage, as well as checking Playbill. But most of all, build relationships with the people with whom you want to work.
CAC: How much would you suggest artists moving to NYC budget for their first year?
CM: $36,000 if possible.
CAC: What other practical resources would you recommend to a Catholic artist living in NYC?
CM: The Drama Bookshop. Studio space: The Sheen Center, Molloy Studios. Headshot photographer: Shirin Tinati. Health insurance: Go to https://nystateofhealth.ny.gov/ to see if you qualify for free or low-cost ($20/mon.) health insurance. Check out CatholicNYC.com for jobs and housing. The Listings Project and Facebook’s Gypsy Housing and NYC Area Catholic Looking for Roommates groups are also good housing resources. And most important, get on the Catholic Artist Connection weekly email newsletter.
CAC: What are your top 3 pieces of advice for Catholic artists moving to NYC?
CM: 1. Join the Catholic Artist Connection email newsletter and check out the communities on CatholicArtistsNYC.com.
2. Identify 3-5 artistic groups/organizations with whom you are interesting in working, check out their work, and ask how you can get involved.
3. Create the work you want to create, without waiting for someone else to give you the opportunity to create. And the most important bonus piece of advice underlying all: Focus first on building the foundation of a strong daily spiritual practice, and commit to it above all else. Find a home parish, a spiritual director, and a small group of faithful friends to keep you grounded. Pray always – Christ is your surest companion.
